Subscribe to the ANN Newsletter • Wake up every Sunday to a curated list of ANN's most interesting posts of the week.
read more
From the TOKYOPOP Pilot Program Team, Paul Morrissey & Hope Donovan
by Paul Morrissey & Hope Donovan,
The Pilot Program represents an exciting new stage in the development of
original manga for TOKYOPOP, and one of the things we're most excited
about is having a brief, accessible contract-and being able to post it
online.
We've made the contracts generic, to include as many creators as
possible, and what you see is the same deal extended to everyone. We're
proud to be able to present these contracts as they are, so that love it
or hate it, we've empowered potential manga creators to understand the
terms long before they propose a project.
Making the contracts available to all is just the first positive step
for TOKYOPOP that the Pilot Program represents. Of course we want our
Pilots to be successful, and we want to work with Pilot creators to
develop their Pilots into other media. And if we do so, an entirely new
contract is drafted for that particular project-whether it be a
full-length book deal, a film/TV deal, etc. However, TOKYOPOP realizes
that some Pilots will not develop beyond their initial stage. And that's
why the Pilot Program is also progressive in returning rights to
creators. For any Pilot that doesn't pan out, the rights to the project
are returned to the creator after the one-year Exclusive Period ends.
After that, the creator is free to take that exact chapter created for
us as well as the property anywhere they like-whether that's
self-publishing, publishing with another company or putting it on the
back burner. At this point, for example, if the creator were to land a
film/TV deal based on their Pilot property, TOKYOPOP would have no stake
in that venture.
We cannot dictate the future of your project after the Exclusive Period
ends. We only retain rights to those pages that were created for us, and
have the right to adapt those existing pages as cell phone manga, imanga
or other print publications. We do not have the right to create more
material. We can't add to your story or create new chapters-it belongs
to you. We can only reprint the material you created for us.
We hope that the discussion generated from putting the contracts online
helps potential creators to understand the deals that we offer. We urge
you to talk about them, that's right there in the contract. The deals
may not be for everyone, but we're glad that everyone can read and
consider for themselves.
Some older mysteries inch closer to resolution as the true nature of the Abyss slowly comes into view, and long-posed questions start to be answered.― Sometimes, being a fan of Akihito Tsukushi's acclaimed Made in Abyss series means acclimating to suffering. Like many Western devotees, I was introduced to this bizarre, squishy, disturbing world via the 2017 first season of Kinema Citrus' fantastic a...
60th, final episode of previous anime streamed on YouTube on Friday― The official Twitter account for the anime of Penguin Box's Odekake Kozame (Little Shark's Outings) manga announced on Friday that the manga will get a new anime series. Update: The staff revealed a visual for the new series in a press release on Saturday. The previous anime series debuted on YouTube last August, and its 60th and f...
Recently ended manga follows middle school student living with mysterious bird-looking creature― Shogakukan announced on Friday that Akira Konno's Kujima Utaeba Ie Hororo manga is inspiring an anime. The "bird(?) home comedy" manga's story starts when first-year middle school student Arata Kōda meets a mysterious bird-looking creature named Kujima in autumn. Hungry and craving Japanese food, Kujima ...
As Slam Dunk reached its final stretch, I can see why this series is considered the sports classic that it is today.― This is the largest batch of Slam Dunk episodes that I've reviewed thus far. Originally, I wanted to review the show in more even seasons, but given its overall pacing and release, it wasn't easy to find a moment where it felt right to stop and start again. However, as we approached ...
2nd part opens in Japanese theaters on June 7― The staff for the four-part Code Geass: Rozé of the Recapture (originally titled Gode Geass: Z of the Recapture, or Dakkan no Zetto) anime project revealed a trailer and a visual on Saturday for the second part in the project. The below video previews MIYAVI's opening theme song "Running In My Head." The anime's first part premiered in Japan on Friday. ...
James and Lynzee discuss the latest episode of Yatagarsu. Plus, GoHands keeps making anime, and we don't know WHY.― Yatagarasu Gets Violent! James and Lynzee discuss the latest episode of Yatagarsu, in which Wakamiya plays his hand to find out the truth behind his older brother's scheming to obtain the throne. Plus, GoHands keeps making anime, and we don't know WHY; Hunter x Hunter manga is on its ...
Making a sequel to Code Geass is a daunting task. But with its fantastic main character and a story that doesn't undercut what came before, Rozé of the Recapture is on the right track.― Making a sequel to Code Geass—especially one set close to the end of the series—is a daunting task. Any story that involves an ongoing war massively undercuts both the finale of the original anime and the sacrifices ...
The Switch sequel console is finally happening! The details are scarce, but you can find out more in this week's column. Also: an interview with El Shaddai's Sawaki Takeyasu, Microsoft layoffs, and more.― Welcome back, folks! What a wild week this has been for the gaming industry. We'll go further into it, but jeez. This past week also saw the disappearance of Capcom's Dark Void and Dark Void Zero. ...
The Code Geass creator discusses his new project with Web3 company Azuki, Enter the Garden, and his hope that this new path could help the medium evolve.― Los Angeles-based Web3 anime-styled brand Azuki and advertising conglomerate Dentsu debuted the first nine-minute episode of their joint anime endeavor, Enter the Garden, on April 30. The episode, which has already racked up a quarter of a million...
If I were to sum up Hokkaido Gals Are Super Adorable! in a single word, that word would be “cute.”― If I were to sum up Hokkaido Gals Are Super Adorable! in a single word, that word would be “cute.” Shiki and Fuyuki's interactions are a mixture of playful (and sometimes sexual) teasing and heartfelt feelings as the two come to value each other. They have real chemistry—and that drives the anime stra...
Final volume ships in fall― The 25th compiled book volume of Yuki Sato's Tomodachi Game (Friends Games) manga revealed on Thursday that the series will end with the 26th volume's release in fall. The story, based on Mikoto Yamaguchi's original concept, centers on Yūichi Katagiri, a young man with a perfect student life who has four friends with difficult lives. His peaceful daily life comes to an e...
Lucas and Steve catch up on the Hunter × Hunter manga in time for the long-awaited new chapter and gush about why, even with years between releases, Hunter × Hunter is worth it.― Lucas and Steve catch up on the Hunter × Hunter manga in time for the long-awaited new chapter and gush about why, even with years between releases, Hunter × Hunter is worth it. Disclaimer: The views and opinions expressed...
The Pilot Program represents an exciting new stage in the development of original manga for TOKYOPOP, and one of the things we're most excited about is having a brief, accessible contract-and being able to post it online.
We've made the contracts generic, to include as many creators as possible, and what you see is the same deal extended to everyone. We're proud to be able to present these contracts as they are, so that love it or hate it, we've empowered potential manga creators to understand the terms long before they propose a project.
Making the contracts available to all is just the first positive step for TOKYOPOP that the Pilot Program represents. Of course we want our Pilots to be successful, and we want to work with Pilot creators to develop their Pilots into other media. And if we do so, an entirely new contract is drafted for that particular project-whether it be a full-length book deal, a film/TV deal, etc. However, TOKYOPOP realizes that some Pilots will not develop beyond their initial stage. And that's why the Pilot Program is also progressive in returning rights to creators. For any Pilot that doesn't pan out, the rights to the project are returned to the creator after the one-year Exclusive Period ends. After that, the creator is free to take that exact chapter created for us as well as the property anywhere they like-whether that's self-publishing, publishing with another company or putting it on the back burner. At this point, for example, if the creator were to land a film/TV deal based on their Pilot property, TOKYOPOP would have no stake in that venture.
We cannot dictate the future of your project after the Exclusive Period ends. We only retain rights to those pages that were created for us, and have the right to adapt those existing pages as cell phone manga, imanga or other print publications. We do not have the right to create more material. We can't add to your story or create new chapters-it belongs to you. We can only reprint the material you created for us.
We hope that the discussion generated from putting the contracts online helps potential creators to understand the deals that we offer. We urge you to talk about them, that's right there in the contract. The deals may not be for everyone, but we're glad that everyone can read and consider for themselves.
discuss this in the forum (23 posts) |
Industry Comments homepage / archives